'You're
just lucky you didn't get the first interview' explained
1200techniques table master DJ peril, who had to
be woken up to begin the mornings media stints.
Together with guitarist brother Paul (Kemstar) and
vocalist Nfamas 1200tecniques have begun a mission
to integrate hip-hop into mainstream Australia.
Shrugging off all diva-ristic claims to fame and
professing to rely only on talent, 1200techniques
promises a spectacular performance at 2003's Big
Day Out. Both visually and musically. Oz Music Central
caught up with DJ Peril for an insight into exactly
what 1200techniques has to offer.
Describe
1200techniques in three words?
Three words…describe…umm… intensely funked-out hybrid
You
guys have been together since 1997, have you found
that after playing together for so long you have
settled into a rhythm where each member plays a
certain role on stage?
Everyone in the band is a complete individual. Nfa
is as mellow as hell, he's the guy who acts like
he's been smoking too much…but he's not man. That's
just Nfa, you know. Then we get to a stage where
he just comes alive. He's not what you think when
you meet him, he's so not. He's not a very talkative
dude really, but that's Nfa. But me I'm extroverted,
bubbly and up. My brothers not far off me, you know
he's sort of like a different version of me but
he's still his own person.
What
was it like to tour with Princess Superstar? My
sources inform me the Sydney show @ the Metro was
pretty wild?
Oh yeah! We had a good time. We'd go out with and
Alexander Techniques DJ. We just got along.
Did
you spend time together in between shows?
Yeah we hung out a bit. We hang out more with the
DJ's I suppose. Yeah, it was really cool. We had
a repour with them and we appreciated each others
company I suppose, because you either do or you
don't on tour you know what I'm saying? And you
don't really know because we'd never met, it wasn't
like we knew each other, they didn't know who the
hell we where and they came over here and it was
a big surprise to see who we were too, musically.
And then when we clicked as people it was great.
It
must make touring a lot easier though, to get along
with your supports?
A whole lot easier! It can almost ruin the tour,
bad blood. But we're that sort of guys, we get along
with everybody I think. We're not some kind of group
that will only try and get along with their own
genre; we can along with anyone that's got a bit
of respect. And we give it back.
Now
speaking of touring, do you guys have a special
ritual that completes your preparation?
I have no ritual. Nfa goes the toilet like a thousand
times you know, every time. But that's Nfa…Simon
checks his pedals about ten million times. He's
a bit paranoid like that, about ten million times!
But apart from that there is no ritual.
Well
you're the first person I've interviewed who doesn't
rely on a lucky charm or something.
No, I don't rely on luck. I rely on going off.
Your
album Choose One was released this year by Rubber
Records, is there a track on there that your unequivocally
proud of?
I don't really have a favourite, but there's songs
like Don One and Battlemaster that I like. There
tracks that I really have a thing for. But not really
no, I haven't got a particular favourite. I sorta
like the album as a whole, like as a journey that
we went through. Its more like compilation that
album. We never had any desire to do an album, we
just did song by song and then we thought of the
album. Its been a good door opener for us, put it
that way.
Tell
me about the DJ Ballbreaker skits that feature on
Choose One, where did they come from?
They come from every week. And I still get my balls
broken every week Dj*ing.
Is
that you on the first one?
Yeah, can't you tell? There were so many more we
could have put in though. You never know with this
new album what you might hear. We've got a couple
already; we might get somethin' going. They come
from people asking us stupid things, especially
if you're doing a set genre night. You know, ya
doing a funk night and they wanna hear techno. You
can't win, you can't please everybody.
The
rivalry between you and your brother features in
a lot of 1200techniques coverage. Is it really an
issue or just a show for the papers?
It's
no show. It's just us being us. We can't help ourselves.
If someone's being an idiot, we just tell each other
to get f*ed. Its real, cause your there and you
know its real, it aint no put on show biz crap,
its something we've being doing since a very early
age, and it really hasn't worn off that much. Except
for punch ons. We used to punch on more, now we
haven't punched on for a couple of years. Apart
from that its still pretty much the same.
Being
a hip-hop outfit, did you struggle to emulate the
live energy of your live shows in a studio recording?
Well, I don't think we did. We never went for that.
We wanted to put a life into the music. I think
because we're a hip hop group people think you put
a beat and a few cuts and that's it, that's the
vibe that's going on. But not with us, there is
live percussion; there are guitars, bass. But that's
as far as I wanted to take it. I just think the
live shows are completely different from the album.
I mean you'll hear the song, you'll go 'oh there's
Don One' and you'll sing along to the song but the
energy we put in live is just so much more full
on than what you hear and visually, what you see
on stage. We do pride ourselves on having a decent
live show.
I'm
not sure if you realise this but, but 1200techniques
is being published as the poster boys of the underground
Australian hip-hop movement since you penetrated
the mainstream with the single 'Karma'. How do you
feel about that?
We've always been doing what we've been doing and
soon as you get a bit of notoriety they're always
trying to put something on ya. We're not a token
of anything; we got there because we worked hard.
I mean, I've been in bands since '86 and I've never
aspired to be a rock star. And in this group, while
Nfa had a bit of prior background to all this, he's
not a bad looking man if ya know what I'm sayin'.
But ah I'm not bad myself…nah, nah only kidding.
But people will always put tags on you. I still
think of us as people taking a digestible hip-hop
to the masses. And I don't think its commercial,
or cheesy because how can it be commercial when
it's just us being us. We're not like anyone else
so we're standing on our own two feet, and we must
be doing the right thing. But I don't know how they
can say that; I mean yeah we're taking hip-hop to
a larger market but maybe its just timing. Radio
is playing hip-hop majorly, and commercial radio
and its what's happening, we are just a part of
what's happening.
Have
you found that gaining this little bit of notoriety
has helped you out with the opposite sex?
I tell you women, I was getting it before and I'm
getting it after. I don't do the pick up 'hey I'm
1200 techniques, I'm Peril, I'm unreal, I've got
a big dick, and I'm a rock star'. That's not how
I pick up; I don't need to say that. I just say
'I'm Jason, How ya goin?'
Now
the Big Day Out is fast approaching, what have you
guys got up your sleeves for fans?
No gimmicks, just goin to go off. We're just gunna
go hard as we always do. There is only one gear
with us and I think anyone that's seen us live knows
that. We're gunna lift the lid. We are very hyper
on stage and we've got the whole set up, we've got
the band, we've got the live drums, we've got the
live congas, live guitar…Its visual, we take you
to a few different places, we've always got a few
different freestyles. We make up songs on the spot,
which is our strength. It is gonna be a good time.
Who
are you looking forward to seeing?
The only one that I know is 'Craftwork', cause it's
a bit of old skool elecronica from way back in the
day and no one has actually ever seen them live,
I don't think they've ever actually been out to
Australia. If they have it was way back in the eighties.
So it will definitely be interesting to see them
do their thing.
And
what do you want to say to fans that are coming
to see 1200techniques at the Big Day Out?
Buckle up baby! We're gonna floor it!