On
the eve of Jebediah's third stint on the Big Day
Out circus, Ozmusic Central was privy to some wry
jokes and irony, courtesy of lead singer Kevin Mitchell.
"The
industry's fucked, but most industries are fucked,"
notes Kevin Mitchell, lead singer for Jebediah.
"I still wouldn't rather be doing anything else."
He chuckles.
This
combination of weariness and ironic optimism characterises
my conversation with Mitchell, who is on the phone
from his Perth home. Since forming in 1994, Jebediah
have plied their infectious guitar-pop through their
enormously successful debut Slightly Odway
to their more sombre Of Someday Shambles through
to their self-titled album. Currently in a period
of downtime, Jebediah are about to launch into another
round of Big Day Out shows.
"This'll
be our third time. We're doing a side stage," says
Mitchell. "I reckon that's where you've got a bit
more freedom to not play so much of a crowd-pleasing
set because we'd be playing more to our own audience."
Despite the improvement evident with each album,
Jebediah's most popular and recognisable tunes remain
"Leaving Home" and "Harpoon" - Triple J favourites
found on Slightly Odway. However, Mitchell does
not wish to dwell on such notions.
He also
dismisses deep analysis of his own songs (many of
which probably don't stand up to that anyway), asserting
unequivocally that "it doesn't really matter what
meanings that I give [it] when I write… it's what
meanings other people get out of our songs - it's
absolutely just as relevant".
He seems
more inclined to talk about other music; the conversation
ignites as he becomes the wide-eyed music fan. What
to make of the wave of 'new rock'?
"A lot
of those bands, certainly like The Strokes, The
White Stripes, The Hives, The Vines, I really dig
all those bands.
"At the
moment the whole thing is held up by media hype
and I think once that dies off and the media goes
on to something else, I don't know if those bands
have sold enough records, the live thing," muses
Mitchell in a genuinely concerned tone. "I've got
a feeling when all that media hype goes away the
foundation's just gone and the whole thing might
all fall in a heap."
His energy
extends to his discussion of the Big Day Out. With
this being Jebediah's third outing, what do they
expect?
"Certainly
the line up this year is definitely the best. I
think I'm definitely primed to really take it in
this year and really enjoy it - watch bands, walk
around out the front, just really take in the experience.
"The
first time we did it I can't even remember it. It
was more just exciting - it was probably our first
glimpse of the rock 'n' roll high life."
There
is an ironic tone in that last comment, bringing
back the ugly issue of the industry. Not for the
first time does Mitchell's sense of humour emerge.
It is at first surprising - Jebediah are not Custard
- but engaging, such as in his knowing take on his
surreal lifestyle.
"I'd
hate to sound like somebody who's had their job
was to get drunk, party, write songs, go on tour
and then be complaining about it.
"I think
what keeps me going - and I think I speak for all
of us - is playing shows. We started the band so
that we could play shows," says Mitchell. "It was
the reason behind us starting a band. I think if
you ask any band what keeps them going, they go
back to that original inspiration that started calling
in the first place and that was, for us, it was
to play shows. It was a completely unadulterated
vision that didn't take into account touring or
the industry - we didn't have to think about that
sort of stuff…"
Despite
his disenchanted tone, Jebediah have survived such
industry shenanigans. They have, after all, released
three albums with the same line-up.
"It seems
easy up till now. I don't know - this is the only
band that we've really ever been in. We've just
kind of ridden a wave that's taken us far." Mitchell
pauses, "It's been easy - nobody's lost their shit.
I think we're all fairly normal people with a healthy
sense of humour and I think if you've got those
ingredients then you get through all the bullshit
involved.
"A lot
of people lose their shit. The entertainment industry
obviously fucks a lot of people up. If you're a
little bit normal, have a sense of humour, you'll
be fine."
This
sense of buoyancy informs Jebediah, producing
such incongruous beacons of optimism as "October"
and "Country Holiday Song". The songs are memorable
as much for their novel sentiment as for their musical
qualities. Mitchell disagrees.
"I don't
think anything we did on the third record was a
great departure from what we'd done previously.
With "Country Holiday Song", I guess we haven't
really done anything too much like that before,
but we used a bit of pedal steel on the second record.
"Everything
about the last record [Jebediah] was a lot
more relaxed and easy than the second one." Mitchell
then pre-empts my next thought, "But that doesn't
necessarily make one better than the other.
"There's
[nothing] wrong necessarily with going through a
bit of pain and blood and sweat to make a record."
It is
easy to picture a wry smile on his face as he makes
this last comment. Mitchell understands the contrivance
of rock 'n' roll, but will staunchly pursue this
path. He seems jaded by the experience, but also
invigorated (he notes that "There's gonna be a few
things happening next year. We're pretty hopeful
to put out a couple of releases"). These apparent
contradictions are not unique. Many have lamented
the obstacles placed before their art. However,
talking with Mitchell gives a sense that belligerence,
mixed with humour, will remain a part of Jebediah.
Even as the industry wears him down and the nasal
sound of his singing fades - no longer the brattish
singer evident on Slightly Odway - Mitchell
will overcome, with a smile.
"I bought
that Nirvana greatest hits record and I've been
listening to that a lot and reliving the Nirvana
years." Mitchell laughs, "I think all of us have
a little bit of that 'fuck shit up' attitude where
we 'fuck shit up' and I dare say that at the Big
Day Out there'll be a bit of 'fucking shit up'."