A
small yet reasonable crowd turned out on Saturday
night to catch The Whitlams on their fifth WA date
this week. Touring in support of new album "Torch
The Moon", which debuted at #1 on the charts, they
put on an incredible performance, showcasing new
tunes and pulling out old favourites as well.
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Autopilot
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Opening
act Autopilot - sans drummer Jayde - kicked off
proceedings with an acoustic set full of enthusiasm
and charm. "Haemophiliac" was a classy opener, an
incredibly infectious song that sees you singing
along by the second verse, regardless of whether
you have heard it before. Hugh and Steve have a
great chemistry onstage, and seem to play off one
another effortlessly. Working through songs from
their two EP's "Pure Gold Baby" and "Out Of The
Sun", they were classy, charming and a pleasure
to watch. "Treading Water", a track that will feature
on the band's upcoming album, was a gorgeous piece
of melody, executed flawlessly. The song is haunting
and beautiful, with a simplistic guitar part and
emotive lyrics, and stands as reason enough to invest
in their debut album when it finally does hit the
shelves. The guys showed the audience that they
have a definite talent, and despite a quick rendition
of Kasey Chamber's "Not Pretty Enough" - which couldn't
end soon enough - they delivered a fantastic show.
Catch one of their gigs should you get the opportunity
- you won't regret it. .
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Autopilot
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Red wine
in place and lights low, The Whitlams appeared on
stage and launched straight into "End Of Your World"
from their 1995 release, "Undeniably...". It was
a rather unusual choice of opener but worked well,
getting the audience's attention and paving the
way for an enchanting evening. There is an element
to The Whitlam's music that creates a surreal atmosphere,
it is entirely possible to lose yourself for a while.
There is also little that can be said about Tim
Freedman which will fully convey the experience
of seeing him perform live. Charismatic, powerful
and downright inspiring, he creates something incredible
which Jak, Terepai and Warwick make even more so.
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The
Whitlams
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Working
through the set, "some hot guitar from Jak" proved
to be the standout of new tune "Gone Surfin". "You
Sound Like Louis Burdett" got the room moving, and
Eternal Nightcap number "Charlie No. 3" was simply
stunning.
A particularly
eager punter vocalised his desire to hear "I Make
Hamburgers" no less than 10 times, eventually seeing
Tim scan the setlist and announce that he would
hear it "in 7 song's time, don't worry. Anyone else
have requests? ...Yep, we're playing that one in
three... that one in five... two more until you
get that one."
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The
Whitlams
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Asking
who had made the trip down from Perth, the front
row cheered loudly. Tim laughed and said "So I guess
all the people milling around at the back of the
room are the Mandurah crowd. Can we get a little
bit of interaction going on here? The urban heroin
addicts can mix with the beachside living folk."
"Best
Work" is to be performed at the AFL Grand Final
in one week's time, and Tim tells the crowd that
he is more than a little concerned about being able
to hit the opening note, before saying "Oh well.
It's only a career." The song, one of the strongest
off Torch The Moon, has everyone singing along and
enjoying the moment. Older tunes like "Gough" and
"Happy Days" got a huge crowd response, and tunes
from the new album were received warmly as well.
"Blow Up The Pokies" was a highlight, the already
stirring song reaching a new level in the smoky
room.
The set ended with three of the band's most danceable
tunes, "I Will Not Go Quietly (Duffy's Song)" and
"Royal In The Afternoon" both catchy and infectious,
and "Thankyou" being introduced as a song about
"being young, having a big night out and then having
sex in the back of a taxi on the way home." The
room went up in applause as the guys left the stage,
everyone happy with the extensive collection of
songs they had just received. Returning for a 3-song
encore that was capped off with the amazing "No
Aphrodisiac", The Whitlams were nothing short of
fantastic... and for the record, Freeds hit that
high note perfectly and my bet is he will do the
exact same thing in front of millions on national
TV in 7 days time.
Setlist:
end of your world
kate kelly
laugh in their faces
gone surfin'
you sound like louis burdett
charlie no. 3
cries too hard
best work
ease of the midnight visit
made me hard
charlie no.1
gough
happy days
charlie no.2
i make hamburgers
fall for you
blow up the pokies
i will not go quietly
thankyou
royal in the afternoon
Encore:
met my match
where is she
no aphrodisiac
Reviewed by Sarah Moses
All
photo's ©
Sarah Moses