Treetops - What's The Matter, Baby?

Treetops have the same guitar jangle and pop melodies that fill the books of Sydney's Ivy League Records. It's the trademark sound of the Rickenbacker - treble heavy, where notes shimmer and bleed like watercolour paint. This music can be enchanting at its best, although it too easily becomes gentle and innocuous. These Melbournians are fine exponents of the jangle, but become victims of their own genre.

The music and sound of Treetops is dense, despite its apparent lightness. The production is admirably raw (judicious in its use of sheen) but it is certainly detailed. Twin guitars are the foundation of the Treetops sound, of themselves dense in terms of layering, and atop this are keyboard effects and the intricate vocals of Ben Montero and Jordan Speering. Thus even an ostensibly thrashing, throwaway song as "What's The Deal?" can seem much more taxing. The longer tracks are worse, built around longish instrumental interludes. This is the nature of their style.

Despite these pitfalls, Treetops show that some fine music can be produced. What's The Matter, Baby? opens with "Tidal River", undoubtedly the strongest song on the EP, evoking a dreamy soundscape. Its swooning cello is compelling, as is the vocal interplay between Speering and Montero. This is Treetops' strength and they exploit it in "Castaway", whose repetitive elements ("hello hello hello hello") would otherwise grate. Their work on "Treatin' You Alright" is marvelous.

On What's The Matter, Baby? Treetops make some quite ornate music (just listen to the intro to "(B)rain For You"). The vocals are key to their sound and accentuate their melodies and hooks. Treetops show in "Tidal River" that they can concisely produce their intricate music - it is now a matter of doing it consistently. By Michael Tran

Track Listing:
1. Tidal River
2. Treatin' You Alright
3. Castaway
4. What's The Deal?
5. (B)rain For You
6. Feel It

Reviewed by Michael Tran.


Treetops
What's The Matter, Baby?
Cavalier Music
cat # CAV026
Released:
November 2002.

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